AUTHOR:
Tina Fey
NUMBER
OF PAGES: 272
YEAR
PUBLISHED: 2011
PUBLISHER: Little, Brown Book Group
PUBLISHER: Little, Brown Book Group
READING
LEVEL: Adult (18+)
GENRE:
Autobiographical Comedy
BOOK
SUMMARY:
"Before Liz Lemon, before "Weekend Update,"
before "Sarah Palin," Tina Fey was just a young girl with a dream: a
recurring stress dream that she was being chased through a local airport by her
middle-school gym teacher. She also had a dream that one day she would be a
comedian on TV.
She has seen both these dreams come true.
At last, Tina Fey's story can be told. From her youthful
days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of
physical beauty to her life as a mother eating things off the floor; from her
one-sided college romance to her nearly fatal honeymoon -- from the beginning
of this paragraph to this final sentence.
Tina Fey reveals all, and proves what we've all
suspected: you're no one until someone calls you bossy.
(Includes Special,
Never-Before-Solicited Opinions on Breastfeeding, Princesses, Photoshop, the
Electoral Process, and Italian Rum Cake!)"
*Book Summary found on amazon.com.
DELICIOUS
READS STAR RATING FOR BOSSYPANTS:
3.5 out of 5 Stars
OUR
GROUP REVIEW:
“You can’t be that kid standing at the top of the
waterslide, overthinking it. You have to go down the chute.”
Our discussion began as our fearless moderator Brooke
took Tina’s advice and went for it! Brooke, dressed in full Tina Fey regalia,
delivered a monologue similar to the beginning of each Saturday Night Live show. Tina, I mean Brooke, spoke of her love of
Alec Baldwin, obsession with food and her highly praised book Bossypants. Brooke had all of us laughing!
Book
Formats:
More than half of our members listened to the audio-book version of Bossypants, which was Grammy nominated thanks to the narration by Tina Fey. The remaining members read a hardcopy and were able to see many of Tina’s unforgettable childhood pictures sprinkled throughout the book. Either way, it’s a win!
More than half of our members listened to the audio-book version of Bossypants, which was Grammy nominated thanks to the narration by Tina Fey. The remaining members read a hardcopy and were able to see many of Tina’s unforgettable childhood pictures sprinkled throughout the book. Either way, it’s a win!
Writing
Style:
Bossypants is unlike a typical autobiography. Each chapter in the book doesn’t progress easily through her life as Tina aged, rather the chapters read more like the “best of” her quirky encounters from her life.
Bossypants is unlike a typical autobiography. Each chapter in the book doesn’t progress easily through her life as Tina aged, rather the chapters read more like the “best of” her quirky encounters from her life.
Some of our members really enjoyed the ease at which you
could pick up Bossypants, read a
chapter and not have to retain what happened in previous chapters. Other
members found it was difficult to connect to the book because there weren’t
overlapping characters and stories to tie it all together.
Overlying
Theme:
Brooke pointed out that many sketches Fey wrote for Saturday Night Live and 30 Rock, dealt directly with issues
women deal with at home, at work and through the eyes of others.
We discussed four of these issues in great depth.
1.Unfair
Judgment:
Tina cites many examples of snap judgments placed on her
in chapters of the book: the scar on her face, personal low-points during the
time she worked at the YMCA, gender restrictions during her days traveling with
the improvisation troupe, becoming a mother & working mother, and hate-mail
from people making assumptions.
Instead of wallowing in self-pity, Fey used those slights
and put-downs to propel her forward and to make her stronger, self-assured and
more outspoken.
We discussed that as women, it seems to be in our wiring
to remember and relive the negative things that happen to us much easier than
positive things. Which is true in for Tina Bossypants
as well.
“I would not trade any of these features for anybody
else’s. I wouldn’t trade the small thin-lipped mouth that makes me resemble my
nephew. I wouldn’t even trade the acne scar on my right cheek, because that
recurring zit spent more time with me in college than any boy ever did.”
2.
Tina’s “Rules of Improvisation That Will Change Your Life and Reduce Belly
Fat”:
Although hilarious, Fey makes these rules relatable to any woman, actress or not. The highlights of the rules, as found in Bossypants are:
Although hilarious, Fey makes these rules relatable to any woman, actress or not. The highlights of the rules, as found in Bossypants are:
1. Agree, or at least have the respect to understand another
and their opinion
2. Say “yes” to doing something, don’t just sit there
3. But don’t simply say “yes”, say “yes…and…” don’t forget
to contribute to the conversation or the resolution
4. Make statements:
speak in statements instead of apologetic questions, make statements with your
actions and your voice
5. There are no mistakes, only opportunities
“Whatever the problem, be part of the solution. Don’t
just sit around raising questions and pointing out obstacles.”
Our members felt the most difficult rule to follow is
number four; we find that we’re asking questions in order to make everyone
around us comfortable. We talked about overcoming this and being more assertive
because it will solve problems faster and our voice will be heard.
3.
Sexism vs. Equality in the Workplace:
This issue was rampant during Tina’s time traveling with her improv troupe and in the early days of her SNL career. Many people in her industry believed women were there to play supportive roles.
We discussed the hilarious Kotex Classic Ad that Tina
devised; in that case men weren’t necessarily sexist, just ill informed. Our
group spoke about similar situations where men have misunderstood us.
(View Kotex Classic Ad HERE)
We also talked about Tina’s comical experience with
Photoshop and posing for the cover of a magazine. Throughout the book she
explained the ridiculous expectations on women to look perfectly beautiful in
every way.
Our group weighed in on how rampant these expectations of
perfections is—we not only give these expectations to ourselves, but others put
them upon us too. One of our members summed it up superbly, “confidence above
any of our features is most beautiful.”
“If you retain nothing else, always remember the most
important rule of beauty, which is: who cares?”
4. Mommy Guilt:
Tina talks about several issues around the decision to
become a mother, breastfeeding a baby, going back to work after a baby and the
question of having an additional child.
These are things that many of our members have dealt with
and we all agreed that the best thing you can do for any mom is to listen to
her, be supportive and don’t give advice unless they REALLY ask for it.
When asking for help or advice, it doesn’t mean you’re a
weak person it means you’re strong enough to admit that you need help or love
with being a mom.
"Obviously, as an adult I realize this girl-on-girl sabotage
is the third worst kind of female behavior, right behind saying
"like" all the time and leaving your baby in a dumpster.”
Favorite
excerpt from the book:
Most of us agreed one of the most likeable stories was
what we like to call “Tina’s Incredibly Insane Week”. This occured when Fey
played her first famous person (Sarah Palin) on the SNL opener, shooting scenes with Oprah Winfrey for 30 Rock and planning her daughter’s
birthday party.
“By the way, when Oprah Winfrey is suggesting you may
have overextended yourself, you need to examine your f****** life.”
We all agreed the way Tina handled this week was with
multi-tasking grace. She held her daughter’s birthday party to the same
importance as meeting with Oprah Winfrey, which as many of our members are moms
we relate.
Author
Q&A:
It was difficult to find a written interview with Fey
about Bossypants, she did participate
in a 45-minute spoken interview with NPR about the book and here are some
excerpts.
On her birth
"[My mom] was 39 when she delivered me. I think she had had my brother eight years earlier, and then in 1960s medicine, they had told her at some point, 'Oh, no, you're done. Don't even worry about it, dear. You're out of business.' And so I was a surprise."
On
the criticism she got for playing Sarah Palin
"You can find this freshly posted as of yesterday. 'She should be ashamed of what she did to Sarah Palin,' which I think is a discredit to both me and former Gov. Palin. She's not fragile. And I'm not mean. And to imply otherwise is a disservice to us both. No one ever said, 'Oh, that Will Ferrell. He should be ashamed of the way he's conducting himself playing George W. Bush.' No one would ever say that."
"You can find this freshly posted as of yesterday. 'She should be ashamed of what she did to Sarah Palin,' which I think is a discredit to both me and former Gov. Palin. She's not fragile. And I'm not mean. And to imply otherwise is a disservice to us both. No one ever said, 'Oh, that Will Ferrell. He should be ashamed of the way he's conducting himself playing George W. Bush.' No one would ever say that."
On
working with Alec Baldwin and Tracy Morgan
"They are different. It's funny because it's rare that we're all three together. The way that things are scheduled, I'll go on and it's either a day of all me and Alec ... or all me and Tracy. It's fun when we're all together ... but we kind of know each other by now, and we know the rhythm of who likes to shoot their coverage first and who likes to wait and go second."
"They are different. It's funny because it's rare that we're all three together. The way that things are scheduled, I'll go on and it's either a day of all me and Alec ... or all me and Tracy. It's fun when we're all together ... but we kind of know each other by now, and we know the rhythm of who likes to shoot their coverage first and who likes to wait and go second."
On
her mother forcing her to try on a bra over her clothes in J.C. Penney
"At the time it was horrifying. And I developed very early. I was probably in fifth grade getting a bra. I developed breasts so early and so strangely high that the bra was more to clarify what they were. That they were not a goiter or something. It was mortifying, but I can absolutely see making that same mistake because you transition as a mother from literally just pulling a booger out of that person's nose whenever you see one until at some point they assert: 'No, I'm a person. You can't fix my underpants on the subway.' "
On how women present themselves in comedy
"It's just such a tangled-up issue, the way women present themselves — whether or not they choose to put their thumbs in their panties on the cover of Maxim and judge each other back and forth on it. It's a complicated issue, and we didn't go much further on saying anything other than to say, 'Yeah, it's a complicated issue and we're all kind of figuring it out as we go.'
"At the time it was horrifying. And I developed very early. I was probably in fifth grade getting a bra. I developed breasts so early and so strangely high that the bra was more to clarify what they were. That they were not a goiter or something. It was mortifying, but I can absolutely see making that same mistake because you transition as a mother from literally just pulling a booger out of that person's nose whenever you see one until at some point they assert: 'No, I'm a person. You can't fix my underpants on the subway.' "
On how women present themselves in comedy
"It's just such a tangled-up issue, the way women present themselves — whether or not they choose to put their thumbs in their panties on the cover of Maxim and judge each other back and forth on it. It's a complicated issue, and we didn't go much further on saying anything other than to say, 'Yeah, it's a complicated issue and we're all kind of figuring it out as we go.'
"In the episode [of 30 Rock called "TGS Hates Women"], we have a fake website
called Joanofsnark.com that the women at Jezebel.com immediately recognized
that it was their website basically and it was ... I don't have the answer. But
I find it interesting that Olivia [Munn, a correspondent on The Daily Show] gets people who go after
her on some of these sites because she's beautiful, and that's part of it. I
think if she were kind of an aggressive, heavier girl with a Le Tigre mustache
posing in her underpants, people would be like, 'That's amazing. Good for you.'
But because she's very beautiful, people are like, 'You're using that.' It's a
mess. We can't figure it out."
To hear her NPR interview in it’s entirety visit:
http://www.npr.org/2011/04/13/135247195/tina-fey-reveals-all-and-then-some-in-bossypants
http://www.npr.org/2011/04/13/135247195/tina-fey-reveals-all-and-then-some-in-bossypants
Content:
Language/Profanity:
Heavy (20+ swear words including f***)
Sexuality:
Moderate (women’s effect on men, women competing with other women)
Violence:
None
Drug/Alcohol
Use: Mild
Intense/Scary
Scenes: None
Check out our all of our meeting details HERE to see photos, our menu and tons of other ideas for your book club!
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Bossypants is a memoir written by Tina Fey, the acclaimed comedian, writer, and actress known for her work on aturday Night Live and 30 Rock. The book offers a humorous and insightful look into Tina Fey's life, career, and experiences in the world of comedy. Tina Fey shares candid and often hilarious stories from her childhood, early career struggles, and her journey to becoming one of the most influential women in comedy. Her anecdotes are relatable and provide insight into the challenges she faced while pursuing her dreams.
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